Moonlight – The Complete Series
Any private eye knows a lot about other people’s secrets. L.A. private eye Mick St. John (Alex O’Loughlin) has a secret of his own. He’s a vampire, dwelling in a covert netherworld complicated by friendship with an undead finance honcho (Jason Dohring), memories of the alluring ex- wife (Shannyn Sossamon) who turned him into a vampire, and a relationship with a human (Sophia Myles) he feels drawn to protect – and maybe to love. But no matter how tempting, Mick knows a vampire-human romance is eternally dangerous. This 16-episode, 4-disc set of the series voted the 2008 People’s Choice Award for Favorite New TV Drama is a sure entertainment bet for all who like their vampire stories sleek, intense and passionate.
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People (6-month)
People, Americas most popular magazine, delivers your favorite celebrities and real life heroes every week!
People is the most wildly, consistently successful magazine in history (not to mention the most stolen from lunchrooms) and it’s avidly read by half the population of America each year. Why? The people at People know what you want to read: the absolute latest, impossible-to-get dish on celebrity scandals (a $3-million-a-year fact-checking department keeps it real); definitive tribute issues; snappy wrap-ups on the whereabouts of yesterday’s stars and the current Most Beautiful People; riveting stories of real folks caught up in the day’s biggest news, health, and crime stories; and quick picks and pans on what’s up in entertainment. And after years of black-and-white drabness, the mag has fully mastered the art of flashy, full-color photography. –Bob Brandeis
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In Rainbows
TENTATIVE TRACKLIST: “15 Step” – 3:57 “Bodysnatchers” – 4:02 “Nude” – 4:15 “Weird Fishes/Arpeggi” – 5:18 “All I Need” – 3:48 “Faust Arp” – 2:09 “Reckoner” – 4:50 “House of Cards” – 5:28 “Jigsaw Falling into Place” – 4:09 “Videotape” – 4:39
On the deliriously satisfying In Rainbows, Radiohead returns to a more straight-ahead (though subdued) rock sound. Much hubbub has been made about this record’s innovative release. Radiohead allowed fans to pay what they wished to download fairly low-resolution tracks from the band’s own website. Like so many innovations, it already seems funny both that it was such big news and that someone else of similar stature hadn’t done it sooner. Some pundits were appalled that it took awhile to download the tracks if you tried to do it at the same time as thousands of other people, while others decried that the group was trying to kill the music industry (or save it). Little of the press seemed to focus on the record itself, which actually made sense because it was so entertaining and inviting, the most low-key album Radiohead has made to date. There’s even a very straight-forward, simple, silly little love song, “House of Cards.” It might be a bit lethargic, but the simple instrumentation of electric guitars, bass, and drums is lovely as heck. A handful of these tunes enchanted fans for years before finally being committed to computer “tape.” This is particularly fitting as In Rainbows is the group’s most “band”-sounding album since OK Computer. This is not a record that hits you over the head with how far this group is pushing the envelope; it’s simply a phenomenal, well-crafted, and exciting album. As soon as it’s done, you’re playing it again. –Mike McGonigal
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Pushing Daisies – The Complete First Season
Every not-so-often, along comes a show that’s different. Wonderfully different. Pushing Daisies, TV Guide’s Matt Roush writes, “restores my faith in TV’s ability to amuse, enchant and entertain.” It’s the story of Ned, a lonely pie maker whose touch can reanimate the dead. Cool, but there’s a hitch. If Ned touches the person again, the miracle is reversed. If he doesn’t, a bystander goes toes up. What to do? Easy: Team with a private eye, bring murder victims back just long enough to discover whodunit, and collect the rewards. Things go well until Ned’s boyhood sweetie is the next dear departed, and he can’t resist bringing her back for keeps! Dig the wit, style and quirky romance: If you’re not laughing, you may need a visit from Ned.
Pushing Daisies is many things at once: detective show, romantic comedy, whimsical fantasy and above all, a story about a guy who bakes pies and has the ability to bring dead people back to life. Somehow all of these things come together to make one of the most enjoyable, funny and bittersweet shows to come along in a long time. A lot of that magic comes from the near-perfect casting – Lee Pace (The Fall, Miss Pettigrew Lives For a Day) as Ned the Piemaker is wonderfully reserved and adorably neurotic; his facial expressions alone provide some of the most moving and hilarious moments in the series. Anna Friel as Charlotte “Chuck” Charles, Chi McBride as Emerson Cod and Kristin Chenoweth as Olive Snook round out the regulars at the Pie Hole and veteran actresses Swoosie Kurtz and Ellen Greene are great as Chuck’s eccentric aunts whose passions include synchronized swimming, amateur ornithology and rare cheeses. Pushing Daisies exists in a world where people regularly break out into song to express their feelings, where death is never gory and usually played for comic effect, and where every color on screen is richly saturated and vibrant, creating an oddly timeless Edward Scissorhands-like world.
Bryan Fuller, the creator of cult favorites Dead Like Me and Wonderfalls has perfected his style with Pushing Daisies; this series has a broader appeal than the previous shows. Each imaginatively produced episode has such snappy writing paired with ghoulish sensibilities, heart wrenching romance and classic caper-style crime fighting, making every moment completely un-missable. The DVD release of Season One contains all nine original episodes and a behind-the-scenes featurette. —Kira Canny
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2001 – A Space Odyssey [Blu-ray]
A space mission that could reveal man’s destiny is jeopardized by a malfunctioning shipboard computer. A dazzling journey that tops them all ? and showed the way for other effects-packed films that followed.
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on “the proverbial intelligent science fiction film,” it’s a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke’s short story “The Sentinel,” 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film’s opening sequence to the journey of the spaceship Discovery and metaphysical birth of the “star child” at film’s end, Kubrick’s vision is meticulous and precise. In keeping with the director’s underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick’s film is nothing less than a cinematic milestone–puzzling, provocative, and perfect. –Jeff Shannon When Stanley Kubrick recruited Arthur C. Clarke to collaborate on “the proverbial intelligent science fiction film,” it’s a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke’s short story “The Sentinel,” 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film’s opening sequence to the journey of the spaceship Discovery and metaphysical birth of the “star child” at film’s end, Kubrick’s vision is meticulous and precise. In keeping with the director’s underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick’s film is nothing less than a cinematic milestone–puzzling, provocative, and perfect. –Jeff Shannon
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The Darjeeling Limited
Owen Wilson, Adrien Brody, and Jason Schwartzman star as three brothers who have drifted apart over the years and try to re-forge their sibling bonds on a hilarious adventure across India. The Royal Tennenbaums meets Lost in Translation.
Family tension again provides dramatic comedy in Wes Anderson’s new film, The Darjeeling Limited, about three American brothers traveling by train to find their reclusive mother in rural India. Like Royal Tenenbaums, this film succeeds because of its smart, funny script in addition to the visual beauty of India and its luxurious locomotive transportation. In Darjeeling, the oldest brother, Francis (Owen Wilson), blackmails his two younger siblings, Peter (Adrien Brody), and Jack (Jason Schwartzman), into traveling to a monastery where their mother, Patricia (Anjelica Huston), has been in hiding as a nun. Supposedly embarking on a spiritual quest, the three men reminisce about the recent death of their father, and the family’s irreconcilable problems previous to their reunification. Though they do find Patricia, Francis, Peter, and Jack grow immensely from another brush with death, this time an Indian boy they try to rescue, giving the film an added conceptual depth that Anderson’s previous films have been accused of lacking. Co-written by Roman Coppola (CQ), The Darjeeling Limited is a finely-tuned critique of American materialism, emotional vacuity, and our lack of spiritualism, presented in ironic twists and gorgeous cinematography and lighting recalling Altman’s McCabe & Mrs. Miller. A lovely, poignant sequence occurs while the three brothers attend a traditional Indian funeral, and flash back to their father’s one year prior. Moreover, the film’s soundtrack culled from Satyajit Ray’s films and vintage Kinks gives the film a timeless feel, removing it from the predictable indie rock scoring of independent releases. By far Anderson’s best film thus far, The Darjeeling Limited offers a much-needed dose of cultural self-reflection, pillared against India’s ever-evolving yet ancient religious backbone. –Trinie Dalton
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Gabriel Iglesias: Hot and Fluffy – Live From Bakersfield
Gabriel Iglesias is one of the fastest-rising comics today! With his unique brand of humor, lovable stage presence and wide range of voices and impressions, it’s no wonder that he already has a huge fan following. He’s been seen on Last Comic Standing, The Tonight Show with Jay Leno and Jimmy Kimmel Live!, and now you can see Comedy Central’s “Comic of the Year” in his sold-out performance at the historic Fox Theatre in Bakersfield, California!
This DVD includes Gabriel Iglesias’s ALL NEW show, as well as many exclusive extras that were not included in Comedy Central’s broadcast!
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2008 Philadelphia Phillies: The Official World Series Film
The Philadelphia Phillies are World Series champions! Major League Baseball Productions and Shout Factory! present the Official 2008 World Series Film on dvd. All the drama, game action, behind-the-scenes access and in-depth interviews a Phillies fan could want. The Official 2008 World Series Film on dvd will feature an adrenaline-filled feature-length film, highlights from the entire postseason and incisive bonus features.
Bonus Features:
* National League East clincher versus the Washington Nationals
* National League Division Series clincher versus the Milwaukee Brewers
* National League Championship Series clincher versus the Los Angeles Dodgers
* This Week In Baseball: Tour of Shane Victorino’s Home
* Best on the field wire bites of Shane Victorino during the World Series
* Final 3 outs of the World Series and on field celebration
* World Series Trophy Presentation
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- Champions: A Look Back at the Phillies Triumphant 2008 Season
- The Philadelphia Phillies 2008 World Series Collector’s Edition
- The Dark Knight (Full-Screen Single-Disc Edition)
- MLB Vintage World Series Films – Philadelphia Phillies 1950, 1980, 1983 & 1993
- Phillies Confidential: The Untold Inside Story of the 2008 Championship Season (Confidential)
Stephen King’s Storm of the Century
The terrifying tale of a town beseiged by evil. The inhabitants of a picturesque sleepy little town on a small island off the coast of main find themselves completely cut off from the rest of the world when they are hit by the worst storm of the century. Studio: Lions Gate Home Ent. Release Date: 03/22/2005 Starring: Tim Daly Colm Feore Run time: 248 minutes Rating: Pg13 Director: Craig R. Baxley
“Give me what I want and I’ll go away,” demands the black-eyed, stocking-capped stranger Linoge (Colm Feore), who appears in a quiet island community on the verge of the worst storm in decades and brutally bludgeons an old lady to death. Tim Daly, the town sheriff and voice of reason and moral strength, locks up the quiet madman, but the deaths pile up as Linoge acts them out from his cell like a murderous mime pulling psychic strings. Stephen King, whose original teleplay is his best work for the screen since The Stand, transforms the sleepy burg into a Peyton Place of guilty secrets and criminal activity ripped from under a blanket of small town normality while the white-out of the snowstorm completely cuts them off from civilization. Director Craig R. Baxley nicely maintains an icy tension while the waiting game goes on, perhaps a little too long, before Linoge finally reveals “what he wants” and the drama turns into a struggle for man’s soul in miniature. The more ambitious special effects and set pieces sometimes disappoint but are more than made up for in King’s knack for turning the mundane into the macabre (the children’s song “I’m a Little Teapot” has never sounded more sinister) and a few brilliantly realized sequences, the best of which occurs when townspeople are literally yanked out of existence while watching the storm. Storm of the Century is one of the most successful translations of King’s brand of horror to the screen. –Sean Axmaker
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The Hillary Nutcracker
Is America ready for THIS nutcracker? You have just found the most innovative new product of the year! Get your hands on the world’s most unique nutcracker…Grab Hillary while supplies last! This Hillary Nutcracker Stands Nine-inches tall. It is a functional, plastic nutcracker with stainless steel teeth secured inside upper legs to grip and crack nuts in their shell. The Hillary Nutcracker will stand upright and has internal stainless steel components and spring. Not recommended for the dishwasher or children under 12 years of age
The Hillary Nutcracker is available at Amazon for $27.99. To Order click here
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